You can dictate roles to your citizens, instructing them to act as fieldworkers or breeders as you see fit. Using the hand, you can harvest grain from a field or turn trees into lumber. Your presence within the mortal world is personified by a great hand, which you can use to manipulate the physical realm.
Gameplay to accomplish this is an interesting blend of the open-ended structure of the previous title and more traditional RTS elements. This sort of temptation is the basis for much of the gameplay in Black and White 2.Īs your people's almighty, you are tasked with propping up and expanding the influence of their civilization. Within your sphere of influence your power is fairly absolute, and you can crush the life out of your citizenry just as easily as you can ensure their survival. Your godly presence's moral compass is up for you to decide. Since this is a Molyneux game, your recently summoned self is a blank slate. As in the original, the pure prayers of your people summon you from the nothingness of the spaces between space. The Aztecs, the Norse and the Japanese all take part in what appears to be a concerted effort to wipe Greek culture from the face of the planet. As the deity of the Greeks in an archipelago of war-torn islands, you are tasked with the safety of your people as they're besieged by competing cultures. While most Real-Time Strategy titles put you in the role of a commander or general, the Black and White series invites you to tap into your inner Marduk and play god.
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